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Precious Little Talent rehearsals at the Rag Factory, Aldgate East. Precious Little Talent runs at the Trafalgar Studios, April 2010, written by Ella Hickson, directed by James Dacre. Starring Olivia Hallinan, Ian Gelder & Anthony Welsh. ---------------- © Idil Sukan // .twitter/idilsukan\" Follow me on Twitter @idilsukan // .facebook/IdilSukanPhotography\" Join me on Facebook // .idilsukan\" .idilsukan ---------------- Licensed for press & publicity. Please contact me for more info idil@drawhq
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Andrea Roth Menu for Warrant Officers and Sergeants Club hooters calendar
This item forms part of the Albert Edwards collection. Albert Edwards was born Adalbert Eisner in Vienna on 7 March 1924. Adalbert changed his name to Albert Edwards on 22 June 1944. Albert\'s father, Oskar Eisner, was born in Vienna on 29 August 1886. His father Andreas was the son of Anton Eisner and his mother was Julie Beck. Oskar Eisner was a shopkeeper (gifts and fancy goods). The family was not well off. Oskar married Albert\'s mother, Franziska Mechur on 13 August 1922. Franziska was born on 2 December 1896 in Tyrnau Bez Pressburg to parents Jacob Mecher and Rosa Roth. She died of TB in her parental home in Czechoslovakia on 24 November 1926 when Albert was two years old. Albert was then raised by his father\'s sister, Emma Ernst (Muni) in Vienna, with his cousins Willi and Gustav. The Ernst family were socialists, and were involved in the 1934 Socialist rally in 1934. Albert had an elder brother, Fred (Fritz). Albert attended Junior School (Volkschule) in Vienna from 1930 to 1934. His secondary education was interrupted in 1939 by the Anschluss, after which he was no longer able to attend a state school. Albert arrived in England, age 15, with the kinderstransport after travelling on a train supervised by the SS on 15 May 1939. Albert stayed at the home of Abraham Moss and his wife Doris, at 85 Park Road, Prestwich. Albert attended the Higher Broughton Synagogue with the family, and then later joined the Heaton Park Synagogue. Muni Ernst, Albert\'s step-mother, was already in England, working as a domestic service. She later emigrated to America, in 1943. Oscar Eisner remained in Vienna, and was subsequently deported to the Lodz Ghetto. He died in the Holocaust. In Manchester, Albert attended the Jews School, and was evacuated to Blackpool with the school. Albert then worked for the small textile exporting firm owned by his sponsor, Abraham Moss, called \' H & A Moss\' - he started in the packing room and went on to become manager of the warehouse. From 1941 to 1943, Albert served in the Civil Defence Messenger Service in Manchester in the Pioneer Corps. This frustrated him - he badly wanted to serve in a combat unit. In 1942 he applied to join the RAF, but was unsuccessful. In 1943, when the British government changed the rules that prevented aliens to enlist in combat regiments, Albert joined the army, at the age of 19, as an infantry signaller (North Lancashire Infantry Regiment). He enlisted in Manchester on 19 August 1943. Albert was involved in the D-Day Normandy landings. He later transferred to intelligence work at the Second Army HQ in Normandy, interrogating POWs. His intelligence work with the 6th Airborne Division took him to Brussels the day after the city was liberated. Albert than worked at Montgomery\'s HQ, and obtained his first two stripes on his 21st birthday. Albert switched to the 5th Parachute Brigade and was involved in the conquest for Germany, achieving the rank of Colour Sergeant. On VE Day, his brigade linked up with Russian soldiers in the German fishing village of Wismar. He was committed to helping survivors in any way he could, and helped Jewish survivors find relatives in England, the US and other DP camps. Albert was discharged from the army in August 1947 and rejoined the textile firm in Manchester. He was active in the Heaton Park synagogue, became a member of the Maccabi, and joined Union of Jewish Ex-Service Men and Women as Defence Officer, which involved monitoring fascist activities and blocking fascist meetings. He joined the Crumpsall Ward Labour Party in 1951, and was an active and prominent member. He married Lita Berman in Manchester on 6 March 1951, and the couple had three children (Jeffrey, Heather and Andrew). Click here for the online collection catalogue: .dswebhosting/Manchester/dserve.exe?&dsqIni=Dserve.ini&dsqApp=Site11&dsqCmd=show.tcl&dsqDb=Catalog&dsqPos=0&dsqSearch=%28RefNo=%27m701%27%29\" .dswebhosting/Manchester/dserve.exe?&dsqIni=D...
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The Upper Crust 28 Rugg Road Allston, MA, 02134 cwriggs@gmail Website: theuppercrust Contact: crustmail@gmail .myspace/madoak" .myspace/madoak .myspace/benjamingrotto" .myspace/benjamingrotto .myspace/noiseflower" .myspace/noiseflower .myspace/brispace" .myspace/brispace Members Lord Bendover (Nat Freedberg) (guitar, vocals) (1995â€"present) Count Basie (Chris Cote) (bass, vocals) (1996â€"present) The Duc D'istortion (Dave Fredette) (guitar, vocals) (1995â€"present) Jackie Kickassis (Jim Janota) (drums) (1995â€"present) From the official Bio The Upper Crust played their first show in the back room of a Cambridge, Massachusetts bar one Monday night in 1994. Not for a moment did they or anyone else imagine that-more than a decade later-they would be comfortably enshrined in the pantheon of rock stardom, polishing their platform shoes to kick it up a notch with their newly remixed, remastered collection of stellar hits “Cream of the Crust.” The original band concept was simple and loaded with comic potential: Young fellows singing about the joys and sorrows of the only life they knew, like numberless youths since the dawn of rock and roll… only these lads are filthy rich and theirs is a life of appalling self-indulgence, entitlement and privilege. The result was seen in instant classics like “Let Them Eat Rock,” “Little Lord Fauntleroy,” and “We're Finished With Finishing School.” Like any other concept band, the odds against longevity seemed loaded. No one has been more surprised then they themselves to find that the public's appetite and affection for the Upper Crust, far from diminishing, has grown more insatiable with every passing year. It was not long before the band's image resolved into sharper focus, as they adopted the dress and personae of members of the 18th century European aristocracy in powdered wigs and knee breeches, and the identities Jackie Kickassis (drums), Lord Bendover (guitar, vocals) the Duc d'Istortion (guitars, vocals). Original members Lord Rockingham and the Marquis du Rocque left to pursue other careers and were replaced by the vastly talented Count Bassie (bass, vocals). The Crust appeared on Conan O'Brien, played with Aerosmith, earned accolades in national press (Vogue, GQ, etc.). They released three studio CDs and one live CD on various independent labels. They won the love and devotion of an ever- growing legion of fans, among them many music and show-business celebrities like Joan Jett, Steven Tyler and daughter Liv, Steve Jones (Sex Pistols), Tenacious D, etc.; people who could appreciate the nuances of their art with its peculiar blend of head-banging hard-rock, comedy, and theater. Preferring the lavish comforts of their stately homes and disliking the hardships of the road, for several years they played mainly East Coast shows and spot tours, where they would fly to England, New Orleans or Los Angeles for one or two shows. In this way they succeeded in avoiding the demands of celebrity while enjoying its perquisites. But now the time has come for them to claim their due, and with the aid of famed producers Sean Slade and Paul Q. Kolderie, they've remixed and remastered a compilation of 18 of their greatest hits. Cream of the Crust is released in collaboration with Redeye Distribution. The band has been feverishly active since September, hitting such diverse markets as Raleigh, N.C., Milwaukee, Chicago, Cleveland, Boston, Providence, R.I., New York, Philadelphia and Baltimore. Next, they contemplate a full West Coast tour and a more detailed Southern itinerary, and are entertaining offers from European promoters. A live Upper Crust DVD entitled “Horse & Buggery” will be issued by Reptilian Records of Baltimore in November to celebrate the label's 17th anniversary. An animated appearance on the Comedy Channel's “Code Name: Kids Next Door” is scheduled for this winter (date to be determined). Press activity is already swelling, with forthcoming spreads in several national publications. The band will be doing extensive radio and press promotion is available for interviews, in-store appearances and all other publicity. From Wikipedia, the free encyclopedia The Upper Crust is an American hard rock band from Boston, Massachusetts. The members adopt the personas of 18th century aristocratic fops and sing songs from that perspective. They use titles of nobility, wear powdered wigs and period costumes, and maintain a snobbish attitude while performing live and on their albums. The members say that their guiding philosophy is "If not great and excellent, then debauched." Their major music influence is Bon Scott-era AC/DC, alongside glam rock band Kiss and fictional heavy metal band Spinal Tap. Rolling Stone has stated that "Dismiss Boston's Upper Crust as a joke rock band if you must, but give them this much: They're actually funny, and there's as much rock as mock to their singular brand of "roque"" and that "there's plenty of worthy riffs and double-entendre wit to go around". The group originated from a Boston surf rock band called 'The Clamdiggers'. Other related bands were The Bags, The Titanics, The Satanics, The Flies, The Oysters and Seks Bomba. Website: theuppercrust Contact: crustmail@gmail
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swim one piece The Wildman of Orford (screenprint) One of the 6 new prints I created for my solo show Wunderkabinett last week-end. This handsome fellow is the Wildman of Orford (aka the Mer-man of Orford). This wonderful piece of East Anglian folklore was brought to my attention earlier this year by the poet Chrissie Gittins, for whom I illustrated a wonderful book of her poems, the Humpback\'s Wail, which included one about this strange and misunderstood creature. Caught in fisherman\'s net off Orford Ness in 1167 the Wildman was described as bald on the top of his head, but otherwise covered, head to toe, in thick matted fur. He could speak no English and did not recognise the church as holy. He would eat anything offered him, so long as it was cold and he had squeezed all the juice from it. He was held captive at Orford Castle (shown in the print) for some time, where he was hung by his feet and beaten, but still he would not speak. Eventually the Wildman of Orford managed to escape when allowed to bathe in the sea where he swam away to his freedom, never to be seen again. Printed for me by the talented Mr Yann Brien of Handwash Studios, the print measures 29.7 cm wide by 42 cm down (A3), and has 2 colours. It is a limited edition of 50 (although quite a few have sold already!) and is available from my Etsy shop (.etsy/shop/PaulBommer\" .etsy/shop/PaulBommer) at the very reasonable price of £45 plus P&P. Snatch him up whilst you may!

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